With Your Coffee

Happy weekend! How are you? This week I escaped the Vermont April weather by heading to Florida for a few days with my family and that sunshine sure felt great to this northerner. While I didn’t see much by way of historic districts or get the sense of urban planning, I did see a fair number of classic concrete block one-story mid century Florida homes. It was such a different environment. The sun, warmth, and palm trees were fabulous, but it’s always nice to come home to Burlington, Vermont. Thank you for the comments on last weekend’s “With Your Coffee.” Here are some good links for your morning coffee this weekend. Comment below if these articles speak to you. I’d love to chat.

Have a lovely weekend. Coffee cheers!

61 Summit Street, Burlington, VT

Interested in a beautiful house tour? Hang around with preservationists and you’ll have the privilege of touring the best places. Last Friday, the UVM HP Alumni Association visited the Wells House in Burlington, Vermont – an 1892 Queen Anne residence once home to Edward Wells, then the Delta Psi Fraternity and soon to be the UVM Alumni Association. I’d be wanting to view this house since I moved to Burlington in 2009 – it only took 5.5 years! Visit the UVM Historic Preservation Alumni blog to read more about this house and see additional photos.

Second floor stairwell.

Second floor stairwell, as the sun set. 

Second floor bedroom.

Second floor bedroom.

#ihavethisthingwithceilings

#ihavethisthingwithceilings

Trusses over pocket doors.

Trusses over pocket doors.

As an alumni association, we’re interested to know what your graduate program does. What events do you host? Tours? What would you hope to get out an alumni association? And, are you a preservationist or a friend of preservationists? You can join the UVM HP Alumni Association. We’re working hard to get events off the ground, from house tours to happy hours and much more. Spread the word. Thank you!

Abandoned Vermont: Shaftsbury House

Driving by in the summertime, this house gave that abandoned aura. Driving by in the winter, it gave me the same feel. Finally, I had an opportunity to pull over and gaze at the building. The verdict? On a frigid (2 degrees) February day, this house looked frozen (actually frozen). With snow over my knees (and not the proper boots), I couldn’t get very close. Abandoned, vacant, seasonal or used for storage – it’s hard to tell.

Many readers always ask for information about the photographs on Preservation in Pink. Information is not always available. But, lucky for us, this house is listed in the National Register of Historic Places as part of the Center Shaftsbury Historic District (see #22, Section 7, page 50).

The ca. 1850  Norman R. and C. Amelia Douglass House.

The ca. 1850 Norman R. and C. Amelia Douglass House. It looks as though someone started to paint… sort of (note the white and gray on the first story).

A bit about the architecture (from the NR): This ca. 1850 Greek Revival style house is a two-story, three by three bay gable front with sidehall plan, a two bay wing and rear attached shed. The single story porch wraps around the west and south elevations of the main house block.

The house is clad in clapboard on all sides except the area sheltered by the porch, which is flushboard. The double leaf doors with stained glass on the front porch were likely added at the beginning of the 20th century, perhaps when the windows were changed from 6/6 to 1/1.

Beautiful mature trees on the property.

Beautiful mature trees on the property. As for the house: note the 6/6 sash on the second floor and the 1/1 sash on the first floor. The first floor windows would be newer. Also note the tapered corner pilasters.

Side elevation, in which the house looks frozen.

Side elevation, in which the house looks frozen (one clue is the snow between the storm window and the interior sash).

A bit of history (from the NR): This house was owned and built by Norman R. Douglass (1818-1897) who from 1851-1856 was one of the principals in the Eagle Square Manufacturing Company of South Shaftsbury, a long-lived and successful company that formed for the purpose of manufacturing accurate metal carpenter’s squares. His wife was C. Amelia Douglass (1828-1919).

Clark and Rhoda Stone lived here in 1869 and in 1880. The Child’s Gazetteer lists Stone as a livestock dealer and farmer with two hundred acres of land, as well as one hundred acres of timber land in Glastenbury and part interested in 2,500 acres on West Mountain in Shaftsbury. Subsequent owners included Ralph Bottom and Harry Ellison.

Sunny, frigid day.

Sunny, frigid day, and nothing shoveled or plowed.

View from across the street.

View from across the street.

At the time of the National Register nomination (1988), the property was owned by Priscilla & Woflgang Ludwig and the house was rented to tenants. A search reveals that Ludwig Dairy remains in operation in Shaftsbury, today. Where does this leave the beautiful house, 27 years after the NR? Often old farmhouses are used for storage or seasonal use, as descendants built new houses down the road for one reason or another. The Douglass House appears to be generally maintained and on land used by the family farm.

This is large cement block barn sits behind the Douglass House. It and a few other farm buildings appear to be in use.

This is large cement block barn sits behind the Douglass House. It and a few other farm buildings appear to be in use.

The conclusion? It’s not quite abandoned, but it certainly does not appear to be lived in. Hopefully there is a brighter future for this Greek Revival house.

The picturesque road adjacent to the Douglass House.

The picturesque road adjacent to the Douglass House.

Vermont’s Sculpture on the Highway

Yesterday’s photo of concrete sculpture was not a crowd favorite, and it’s understandable. Concrete blocks? So exciting. With just a glance, there isn’t much to it, particularly in a cloudy season with no snow or leaves. Perhaps taking this interstate sculpture in greater context will make this sculpture more interesting. Yes, there are more concrete sculptures at rest areas on Vermont’s interstates. There are marble sculptures, too. Read on to learn about Vermont’s interstate art.

An art collection, known as “Sculpture on the Highway,” was developed in the late 1960s/early 1970s. There are eighteen concrete and marble sculptures located at rest areas and pull offs on Interstate 91 and 89, stretching from the Massachusetts border to the Canadian border. The intent was to create one (very long, linear) sculpture park. These sculptures were commissioned as a result of Vermont’s sculpture symposia, an American response to an international phenomena of the 1960s goals of fostering peaceful artistic dialogue. The efforts were funded by the National Endowment for the Arts and the Vermont Arts Council, and organized by Paul Aschenbach, a University of Vermont Sculpture professor. Aschenbach brought in talented sculptors from all over the world. The marble was donated by the Vermont Marble Company and the concrete donated by the S.T. Griswold Concrete Company.

Today some of these sculptures are located in rest areas or pull offs that have since been closed due to budget restraints. However, you can see many of them  (though you might have to look closely – the Georgia sculpture is set behind the parking lot, not a place you’d immediately notice). In 2013, the Vermont Agency of Transportation relocated a 1968 marble sculpture by Viktor Rogy from the original Guilford rest area to the new Guilford rest area off I-91 northbound. While it is in a new setting, the (now cleaned) marble sculpture can once again be viewed by the traveling public in a similar environment.

The Viktor Rogy 1968 marble sculpture in the old Guilford rest stop, prior to relocation and cleaning.

The Viktor Rogy 1968 marble sculpture in the old Guilford rest stop, prior to relocation and cleaning.

A bit more interesting than just one concrete sculpture, yes? Want more information? See these links:

Happy New Year!

Wishing all of you and yours the absolute best in 2015.

May it be healthy, happy, and prosperous. 

newyear

As for everyone, it’s been a busy year. A good year. Preservation in Pink told its story through photographs (my undying infatuation with Instagram), with travels throughout Vermont and to Rhode Island, Pennsylvania, Georgia, New York, Washington D.C., and Montreal, QC. Of course, many of those included coffee and flamingos. 2014 was a photogenic year, as opposed to essays and tutorials. Check out the latest Instagram post for the most liked Instagram posts of 2015.

What sort of content will 2015 bring for Preservation in Pink? Time will tell as adventures and lessons materialize, but you can be sure that it will be filled with images. That’s the affliction of a preservationist: addicted to documentation and fascinated by images. If you like photographs of buildings and landscapes and details, then you’ve come to the right place. And if you like historic preservation lessons, ramblings, and otherwise, you’re still in the right place. Rather than highlight the most popular posts and recycle posts, I’d encourage you to browse through the Series page for educational preservation posts, as well as Abandoned Vermont.

Anything you’d like to see in 2015? Let me know. The social media world constantly evolves and it is my hope that Preservation in Pink continues to reach its audience and connect, whether through words, images or something new. As will always be the case, I’m grateful for the friends, the colleagues, and the opportunities that I’ve found through Preservation in Pink and the social media world. Maybe it’s due to an abandoned building or a historic playground or someone looking for grad school information or someone who loves flamingos – thank you for stopping in and sharing a bit of your world with me and allowing me to share some of mine.

I’m looking forward to 2015, and I hope you are, too. Cheers!

Old Ruskin Church, Ware County, GA

Traveling across Highway 84 in Ware County, Georgia, you’ll see a worn sign with red lettering on the side of the road in Ruskin, an unincorporated community in Waycross.

Off Highway 84.

Off Highway 84.

Looking back down the dirt road (in front of the church).

Looking back down the dirt road and across the tracks (in front of the church).

The “Old Ruskin Church” intrigues a preservationist familiar with John Ruskin’s, The Seven Lamps of Architecture.  Pull over, make a u-turn and turn down the southern dirt road, Griffin Road. Cross the tracks at the curve in the road is the Old Ruskin Church. This darling white church sits quietly beneath the picturesque canopy of long leaf pines, among the fallen pine straw.  On a sunny day, it seemed to be one of the most serene spots to find.

Old Ruskin Church.

Old Ruskin Church.

Perfect southern setting.

Perfect southern setting.

The steeple among the pines.

The steeple among the pines.

Beautiful detail on this little church. And also many bees nests. It's in need of some maintenance.

Beautiful detail on this little church. And also many bees nests. It’s in need of some maintenance.

One more for good measure.

One more for good measure.

The Old Ruskin Church, ca. 1899, belonged to the Ruskin Commonwealth, a Utopian socialist community incorporated in 1899. This community was founded by 240 people who moved near Waycross in 1899 from the Ruskin Colony in Tennessee (1896-1899). As the name suggests, the community was founded on principles of the English social reformer John Ruskin.  See photographs of the community here. Unfortunately, the settlement lasted only a few years, disbanding in 1901 due to poor farming land, poor business ventures, disease and poverty.

Who owns this church? What goes on here? There was no indication. Do you know anything about it? Please share!

Preservation Pop Quiz: Buena Vista, GA edition

It’s been a while since there’s been a Preservation Pop Quiz around these parts. This one is from my travels in Georgia. A group of us attended a local art opening in Buena Vista, GA. The opening took place in a historic building, though the drop ceiling and other modifications hid the original details of the building. But, like the preservationist that I am, I walked around the perimeter of the big room and looked up, staring at a particular corner for a while. Why was this door here and how did it function? I do have the answer to this one, but tell me your impressions first!

First up: the exterior of the building in Buena Vista, GA.

First up: the exterior of the building in Buena Vista, GA.

Storefront of the building.

Storefront of the building.

Exterior of the particular corner that perplexed me.

Exterior of the particular corner that perplexed me.

Interior space for the art opening. Note the fluorescent lights and drop ceiling.

Interior space for the art opening. Note the fluorescent lights and drop ceiling. Corner in question is on the right.

The interior corner, a door.

The interior corner, a door.

Bottom of the door.

Bottom of the door.

Looking up above the door.

Looking up above the door.

Looking up in the same area.

Looking up in the same area.

You can see the door, then the transom, then the ceiling.

You can see the door, then the transom, then the ceiling.

And another interesting feature of this building. Vents beneath the sidewalk.

And another interesting feature of this building. Vents beneath the sidewalk. (Unrelated to the quiz question.)

What do you think?

Boquet Octagonal Schoolhouse

It’s not everyday that you encounter an octagonal stone schoolhouse; but drive on Route 22 through the tiny hamlet of Boquet in the town of Essex, NY and you’ll come across this historic 1826 structure. Designed by architect Benjamin Gilbert, the school served the population around the local, growing sawmills. The octagon was later popularized by Thomas Jefferson at Poplar Forest (read more here from AARCH). Today the building is owned by the town and open for tours by appointment. Many original features remain in this octagonal schoolhouse. The community is undertaking a fundraiser to raise money for restoration of the building. Read more here. And there’s an old set of swings, too. Take a look!

Boquet Schoolhouse in Essex, NY.

Boquet Schoolhouse in Essex, NY.

Stone & octagonal. The local heritage orgainzation (ECHO) is raising money to repair to building.

Stone & octagonal. The local heritage organization (ECHO) is raising money to repair to building.

And a bit of a historic playground to go along with the schoolhouse!

And a bit of a historic playground to go along with the schoolhouse!

These old swings are made of a canvas-like material instead of rubber like you'd see nowadays.

These old swings are made of a canvas-like material instead of rubber like you’d see nowadays.

Still functioning swings.

Still functioning swings.

NTHP Savannah 2014: A Location Review

A street near Forsyth Park: porches, brick sidewalk, mature trees.

A street near Forsyth Park: porches, brick sidewalk, mature trees.

Savannah, Georgia: a perfect setting for the National Trust for Historic Preservation Conference (or “PastForward” as we call it these days). Historic homes and live oaks draped with spanish moss line the gridded streets and monumental squares of Savannah, planned in the manner of the Ogelthorpe Plan. Everywhere you look, the architecture is beautiful and photo-worthy. It’s a photogenic city in every sense of the word (and we preservationists love our photographic documentation). The Savannah Historic District is a National Historic Landmark District designated in 1966. The Historic Savannah Foundation is active in restoration, stewardship, and community involvement to achieve its mission of preserving and protecting Savannah’s heritage. Students of the Savannah College of Art & Design benefit from having Savannah as a living, learning lab. Historic preservation and heritage are common conversations in Savannah (not to imply that it is always easy). You can understand why preservationists were excited for a conference in Savannah. After attending the conference, I can say that my excitement for Savannah was well worth it. The National Trust has always put together great conferences, too.

However, I am interested in discussing the location in more detail. Anyone up for it? Let me explain. Many of the conference sessions were held at the Savannah International Trade & Convention Center located on Hutchinson Island, which is across the river from the city of Savannah. It’s a short drive over the bridge or a free ferry ride across the river, which wasn’t really a big deal. The issue that I found (and discussed and overheard many times) related to the fact that the convention center felt so far removed from downtown Savannah.

Looking at Hutchinson Island, waiting for the ferry from the Savannah side.

Looking at Hutchinson Island, waiting for the ferry from the Savannah side.

Why did it feel so far removed? The only places on the island were the convention center and a Westin hotel. This meant that there were no local businesses to support on the island. Your break between sessions, if any break, could not be spent wandering the street to another session and passing by the local stores or cafes. Speaking of cafes, there was no place to buy a cup of coffee or a snack or lunch on the island, unless you wanted to spend an arm and a leg at the corporate hotel next door. If you took time to catch the ferry and head back to the city side, you would miss sessions, probably those lunch time sessions! That was not convenient.

In such a large convention center, there was definitely space to contract with a few local cafes or caterers to sell coffee, lunch, or snacks. If contracts limited that option, perhaps that was not the best location. On Thursday and Friday there were “nosh and network” breaks in the preservation studio, but it didn’t quite fit the bill. Most people eat and drink coffee on different schedules. This seemed like a major oversight.

In a city so large with so many hotels located in the downtown historic district, it would seem that session locations could be spread out and attendees could walk from one to another or easily slip outside for a coffee before catching the next session. Spending most of the day in a convention center, only staring at the historic district across the river, felt odd to a preservationist, particularly to one attending a historic preservation conference.

Perhaps there were perfectly good reasons to site the conference across the river. It should be noted that field sessions, TrustLive and other events were located on the city side of the river, but many sessions were held at the convention center. I’d be interested to know why. And I’d recommend to the National Trust that the next conference be sited more in line with preservation practices.

In summary: great conference content, great overall location, poor conference HQ choice.

What do you think?

Spotlight on the Historic Bridge Foundation, Part Two

Yesterday we started talking about historic bridges as a way to introduce the Historic Bridge Foundation (HBF). Have you heard of the HBF prior to this? If not, let’s get you acquainted, as HBF is one organization you should know for your historic preservation projects.

HBF

The Historic Bridge Foundation is a national advocacy organization for the preservation of historic bridges in the United States. HBF achieves its mission through the following avenues:

  • Service as a clearinghouse for information on the preservation of historic bridges via a website, electronic newsletters or alerts, and directory of consultants
  • Identification of and communication with individuals and groups interested in the preservation of historic bridges
  • Consultation with public officials to devise reasonable alternatives to demolishing or adversely affecting historic bridges
  • Development of educational programs to promote awareness of historic bridge

How can the HBF help you? HBF provides support and resources. You’ll most likely be looking for help if you have a historic bridge threatened with demolition. You can start by reading How to Save a Bridge. This page has a list of contractors who have worked with historic bridges, steps to get you started for rounding up community members, as well as case studies of historic bridge projects.

When you’re hoping to save a historic bridge you need to know how the project is being funded, because that determines which regulations apply. If it’s federal funding, Section 106 comes into play. If it’s federal transportation dollars, then Section 4(f) applies. Both of these federal laws require public input from stakeholders. That’s you!, but you have to get organized. HBF offers guidance on that. HBF will point you in the direction of the resources you need.

Want to get involved and keep up with the Historic Bridge Foundation? Follow HBF on Facebook or Sign up for the newsletter. Questions? Need help? Have something to offer? Contact the Executive Director Kitty Henderson at kitty@historicbridgefoundation.com. If you haven’t had the pleasure of meeting Kitty, she’s extremely passionate, knowledgeable, and dedicated to the cause. She’s a guardian angel for historic bridges!

If you’re at the NTHP Conference in Savannah, stop by the HBF table in the Preservation Studio and talk to Nathan Holt, the creator of Historicbridges.org and the newsletter editor for HBF.